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For This Director, Iranian Films Can Be About More Than Despair

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‘Karate Kid: Legends’ Review: The Student Becomes the Teacher

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‘Tornado’ Review: She Wants Revenge

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‘Ghost Trail’ Review: A Cat and Mouse Thriller

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Kevin Costner Is Sued by ‘Horizon’ Actor Over Rape Scene

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Iranian Movie Shot in Secret Wins Palme d’Or at Cannes Film Festival

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Iranian Movie Shot in Secret Wins Palme d’Or at Cannes Film Festival

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Michael Roemer, Maker of Acclaimed but Little-Seen Films, Dies at 97

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‘Jane Austen Wrecked My Life’ Review: It’s Not Me, It’s Jane

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At Cannes, Sneaky Period Pieces and Film Lovers’ Delights Rule the Screen

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Five Horror Movies to Stream Now

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Five Horror Movies to Stream Now

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The Best Movies of 2025, So Far

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‘Bad Shabbos’ Review: Guess Who’s Kvetching About Dinner?

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‘The Last Rodeo’ Review: One for the Money, Two for the Show

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How Do You Follow One of the Craziest Cannes Movies Ever?

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‘Lilo & Stitch’: How a Fuzzy Blue Alien Became a Disney Cash Cow

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Death, Disaster, Weird Liquids: What to Expect in a ‘Final Destination’ Movie

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Ari Aster’s ‘Eddington’ Has Critics Squaring Off at Cannes

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At the Cannes Film Festival, the Mood Is Uncertain and Unsettled

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The Director of ‘Thunderbolts*’ Unpacks the Movie’s Spoilers

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‘Hurry Up Tomorrow’ Review: The Shadow Cast by Blinding Lights

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Palme d’Or Projections: Has Cannes Found Its Early Front-runner?

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‘Mission: Impossible — The Final Reckoning’ Review: Tom Cruise Defies All

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Cannes Reacts to Gérard Depardieu Verdict With Soul-Searching and Shrugs

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Anamaria Vartolomei Brings a Fearless Streak to Her Roles

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‘Nonnas’ Review: Oversauced

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Trump Called for Movie Tariffs After a Meeting With Jon Voight

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The 50 Best Movies on Max Right Now

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‘Thunderbolts*’ Axes the Asterisk to Market Its Surprise Title Reveal

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Martin Scorsese Got One of Pope Francis’ Final Interviews

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